Photographers love talking about their kit! Cameras, lenses, bags, pouches, flashes, filters….on it goes….Over the years some tend to accumulate enough camera bags and pouches to supply Jessops if they had to.
Money is spent on buying this stuff, money that could well be spent on other things – food for example, and yet despite the common sense of it all we continue to pay out money on the endless hunt for what we think will be the ‘ultimate carrying solution’.
I have now come to the decision that I will not buy another camera bag until the one I have now falls apart. I bought my first Domke bag in the early nineties and despite having had three other bags from another make I always come back to this.
Before I go on I should just point out that I’m not endorsing one make over another, this is just my preference, and you’ll have to come to your own conclusions as to what works for you. Although if anyone from Domke are reading this and want to send me loads of free stuff then please do!
So I thought I would put up the type of kit I use and carry on a daily basis – I have two main carrying set ups that I use depending on the job. One is a standard day to day set up for when I’m at work the other is a set up I use if I need to travel extra light or if I am doing some of my own work.
I am using a Domke f2 bag which forms the base of my main day to day set up, it is a hard wearing canvas and unobtrusive, it allows easy access but doesn’t offer massive protection to your gear but on balance it works for me. The photos illustrate the type of kit I have in the bag, this is every day kit, where the types of jobs can vary significantly so I try to cover as many possibilities as I can whilst trying to keep the weight down.
So what makes up my kit – first off I use two Nikon D2X bodies with three main lenses for work. A 12-24mm f4, 27-70mm f2.8 and a 70-200mm f2.8 although at times I will also carry a 20mm f2.8 and a 50mm f1.8 prime lens. With these are 12 memory cards of various capacities from 4Gb to 512Mb. These are carried in a Think Tank wallet which folds up to a small enough size and also has a space to slip a business card inside so that if in the (nightmare) scenario of losing it, it may get returned- yeah right!
As you can see in the photos other kit I carry will be spare camera batteries, AA batteries for the flashes, of which I normally carry two SB 800’s, spare download lead to connect to a computer, an off camera flash cable, spare gels for the flashes (CTO and green), a small tripod, mainly for mounting the flash on for off camera flash work when using the Pocket Wizards. These Pocket Wizards are carried in the pouch from a SB800 speedlight with a piece of foam between them for padding. Also, and thanks to Matt Kirwan (www.mattkirwan.co.uk) for the ‘top tip’, the plastic bag that the Pocket Wizard synch cable comes in fits over the SB800 perfectly providing an impromptu waterproof cover!
Other items carried are a chamois leather and lens cloth, blower brush, which I also use for cleaning the camera sensors and a small paint brush. A notebook, pens, passport photo ID, a digital sound recorder, a Swiss army multi-tool card, and my contact book and diary which has all my appointments inside and all my contacts that I may need to transmit photos to.
My lightweight kit consists of the pouches which can be adapted for the job, take them all or just one, can be worn around the waist or over the shoulder as a normal camera bag, with these I will carry my 2 cameras and if it’s my own work then usually my prime lenses but it depends on the job, memory cards and spare battery.
My prime lenses consist of a 14mm 2.8, 20mm 2.8, 24mm 2.8, 50mm 1.8, and 85mm 1.4. I like using these lenses, they’re lighter, I think still better quality than zooms although if there is a gap it is closing fast and also I like the way you have to work harder with a prime from a composition point of view – it makes you think more, obviously they’re not so good for main stay press work but I think it benefits you as a photographer to shoot primes every now and again when possible.
In Iraq I worked with a set up like this because it was easier to ‘sling’ the pouches across the body which made getting in and out of armoured vehicles easier than it would have been if I carried a normal shoulder bag – you have to carry a lot of kit anyway and space is limited.
I also carry a lighting set up for my day to day work which stays in the car until I need it. Following the techniques and advice given on the Strobist website (www.strobist.blogspot.com) my set up consists of a small light stand and clamp a transparent or shoot through umbrella, a home made snoot, made of cereal box cardboard and black tape in true Blue Peter style! All carried in a manfrotto tripod bag.
All this allows me to use a wide range of lighting set ups depending on the situation which can only benefit the end result which is, after all, what your after.
I never leave the house without a camera –ever, whether I’m working or not, I have come close to missing some photo opportunities in the past and won’t let this happen again, some of this kit will always be with me, some is job dependent, but this set up allows me to cover many different job types and seems to work for me.
Money is spent on buying this stuff, money that could well be spent on other things – food for example, and yet despite the common sense of it all we continue to pay out money on the endless hunt for what we think will be the ‘ultimate carrying solution’.
I have now come to the decision that I will not buy another camera bag until the one I have now falls apart. I bought my first Domke bag in the early nineties and despite having had three other bags from another make I always come back to this.
Before I go on I should just point out that I’m not endorsing one make over another, this is just my preference, and you’ll have to come to your own conclusions as to what works for you. Although if anyone from Domke are reading this and want to send me loads of free stuff then please do!
I am using a Domke f2 bag which forms the base of my main day to day set up, it is a hard wearing canvas and unobtrusive, it allows easy access but doesn’t offer massive protection to your gear but on balance it works for me. The photos illustrate the type of kit I have in the bag, this is every day kit, where the types of jobs can vary significantly so I try to cover as many possibilities as I can whilst trying to keep the weight down.
As you can see in the photos other kit I carry will be spare camera batteries, AA batteries for the flashes, of which I normally carry two SB 800’s, spare download lead to connect to a computer, an off camera flash cable, spare gels for the flashes (CTO and green), a small tripod, mainly for mounting the flash on for off camera flash work when using the Pocket Wizards. These Pocket Wizards are carried in the pouch from a SB800 speedlight with a piece of foam between them for padding. Also, and thanks to Matt Kirwan (www.mattkirwan.co.uk) for the ‘top tip’, the plastic bag that the Pocket Wizard synch cable comes in fits over the SB800 perfectly providing an impromptu waterproof cover!
My lightweight kit consists of the pouches which can be adapted for the job, take them all or just one, can be worn around the waist or over the shoulder as a normal camera bag, with these I will carry my 2 cameras and if it’s my own work then usually my prime lenses but it depends on the job, memory cards and spare battery.
My prime lenses consist of a 14mm 2.8, 20mm 2.8, 24mm 2.8, 50mm 1.8, and 85mm 1.4. I like using these lenses, they’re lighter, I think still better quality than zooms although if there is a gap it is closing fast and also I like the way you have to work harder with a prime from a composition point of view – it makes you think more, obviously they’re not so good for main stay press work but I think it benefits you as a photographer to shoot primes every now and again when possible.
In Iraq I worked with a set up like this because it was easier to ‘sling’ the pouches across the body which made getting in and out of armoured vehicles easier than it would have been if I carried a normal shoulder bag – you have to carry a lot of kit anyway and space is limited.
I also carry a lighting set up for my day to day work which stays in the car until I need it. Following the techniques and advice given on the Strobist website (www.strobist.blogspot.com) my set up consists of a small light stand and clamp a transparent or shoot through umbrella, a home made snoot, made of cereal box cardboard and black tape in true Blue Peter style! All carried in a manfrotto tripod bag.
All this allows me to use a wide range of lighting set ups depending on the situation which can only benefit the end result which is, after all, what your after.
I never leave the house without a camera –ever, whether I’m working or not, I have come close to missing some photo opportunities in the past and won’t let this happen again, some of this kit will always be with me, some is job dependent, but this set up allows me to cover many different job types and seems to work for me.
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